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When disabled people are excluded from planning and decision-making, access measures can become guesswork and often miss the mark. Involving disabled consultants, artists, staff, and community members allows organisations to make informed choices, anticipate challenges, and avoid reinforcing outdated assumptions.
When disabled people are excluded from planning and decision-making, access measures can become guesswork and often miss the mark. Involving disabled consultants, artists, staff, and community members allows organisations to make informed choices, anticipate challenges, and avoid reinforcing outdated assumptions. It also fosters a sense of shared ownership and accountability. This section is about how to collaborate with disabled people well.
Disabled people are experts by experience and being open about their meaningful involvement means other disabled people are more likely to trust that you will make your work accessible. But also be aware that many disabled people may have consultation fatigue and of how to avoid this.
Disabled people should also be part of any evaluation. To make your practice sustainable there needs to be a clear, achievable Action Plan with outcomes that can be measured e.g. evaluation of Front of House access provision pre- and post-access specific training.
Learning about access is only useful if it leads to action. Many organisations invest time in training, research, or consultation but fail to implement changes due to time pressures, competing priorities, or fear of getting things wrong. Prioritising action – even small, incremental steps – builds momentum and demonstrates commitment. Importantly, this action must be informed by ongoing engagement and evaluation, allowing organisations to adapt based on real experience rather than static plans.
When disabled people are excluded from planning and decision-making, access measures can become guesswork and often miss the mark. Involving disabled consultants, artists, staff, and community members allows organisations to make informed choices, anticipate challenges, and avoid reinforcing outdated assumptions. It also fosters a sense of shared ownership and accountability.
There is also sometimes a reluctance to ask for direct feedback from disabled people. More often, organisations might only rely on professional disabled consultants, instead of the disabled staff or visitors that they already know.
It is important to bear in mind that some disabled people and communities experience consultation fatigue. This is the mental, emotional, and physical exhaustion that is experienced because they are being asked to participate in consultations too often, particularly when they see little or no, meaningful change as a result. So, it is important that consultation is recompensed, efforts are recognised, and organisations are clear about how, if, and when change will happen as a result of engagement, including where they are limited in what it is not possible to change.
There are often misunderstandings about what true codesign is.
Co-design is not:
Co-design may include:
Resources such as this community engagement toolkit are a great place to learn about co-design. It is also important to clarify:
Successful collaboration with disabled people requires access to be built in at every stage, from finding the people you will collaborate with through to evaluating what you have done together.
For an example of co-creation in practice, see this blog post from The Neurodiverse Museum about resource creation.
Access clashes are where measures that support one group inadvertently create barriers for another. This is common and normal when disabled people work together as a group.
Examples:
Solutions:
The goal in navigating access clashes is not perfection, but clarity and flexibility.
It is important to evaluate your collaboration. This evaluation also needs to be accessible. Consider:
Evaluation should be accessible in format and in timing.
An overview of Nothing About Us Without Us from History Workshop
In 2023 The People’s History Museum organised the exhibition Nothing About Us Without Us which is a good source of information and context
Setting up Disabled people’s involvement panels
A guide to co-production with disabled people: Exhibitions for All
A guide for organisations on stopping the exploitation of disabled artists and art workers: https://weareunlimited.org.uk/nothing-for-nothing/for-organisations/
See this example of sustained co-design dedicated to improving access and inclusion for blind and partially sighted visitors in UK museums
How could assumptions about a “typical” visitor experience be reconsidered through engagement with disabled people?